September 21, 1969 — Goldman-Brown Duo
Harris Goldman, violin; Carolyn Brown, piano
Sonata in G major, K301 — Wolfgang Amadeus Mozart (1756 – 1791)
Sonata in A major — César Franck (1822 – 1890)
Rhapsody No. 1 for violin and piano (1928) — Béla Bartók (1881 – 1945)
Michael Vogel, oboe; George Adams, bassoon; June Lusk-Nelson, piano
Concerto in F minor for bassoon and cembalo — Antonio Vivaldi (1678 – 1741)
Three Romances, Op. 94 for oboe and piano — Robert Schumann (1810 – 1856)
Sonata for bassoon and piano (1938) — Paul Hindemith (1895 – 1963)
Sonata for oboe and piano (1968) — Leroy W. Southers, Jr. (1941 – )
Trio for oboe, bassoon, and piano — Francis Poulenc (1899 – 1963)
November 16, 1969 — Lyric Arts String Quartet
Irving Katz, Helen Tannenbaum, violins; Abraham Weiss, viola; Alexander Reisman, cello; Beverly Robinson, soprano
Quartet in D minor, Op. 76 No. 2, “Quinten” — Franz Joseph Haydn (1732 – 1809)
Dover Beach, Op. 3, for voice and string quartet — Samuel Barber (1910 – 1981)
Chansons Typiques Brésiliennes — Heitor Villa-Lobos (1887 – 1959)
Il Tramonto, for mezzo-soprano and string quartet — Ottorino Respighi (1879 – 1936)
Quartet No. 3 in D major, Op. 18 No. 3 — Ludwig van Beethoven (1770 – 1827)
Margaret Aue, cello; Sidney Stafford, piano
Twelve variations on the theme, “Ein Mädchen oder Weibchen” from Mozart’s opera, “The Magic Flute” for cello and piano — Ludwig van Beethoven (1770 – 1827)
Sonata in D minor — Claude Debussy (1862 – 1918)
Sonata in G minor, Op. 19 — Sergei Rachmaninoff (1873 – 1943)
Emily Karr, violin; Patricia Northern, piano
Suite Italienne — Igor Stravinsky (1882 – 1971)
Sonata in B-flat major, K454– Wolfgang Amadeus Mozart (1756 – 1791)
Sonata No. 3 in D minor, Op. 108 — Johannes Brahms (1833 – 1897)
March 15, 1970 — Mallory Chamber Soloists
Myron Sandler, violin; Abraham Weiss, viola; Delores Stevens, piano
Duo in G major, K423 for violin and viola — Wolfgang Amadeus Mozart (1756 – 1791)
Viola Sonata No. 1 in F minor, Op. 120 — Johannes Brahms (1833 – 1897)
Violin Sonata No. 2 — Charles Ives (1874 – 1954)
Trio No. 2 in E-flat major, K498 — Wolfgang Amadeus Mozart (1756 – 1791)
April 19, 1970 (repeated May 13 at El Camino College) — Alice Ehlers Music Competition Award Winners
Honorable Mention in Junior Division — Palos Verdes Peninsula Sertoma Club Special Award for Best Local Group
Bradley Cain, flute; Michael Wyman, cello; Therese Feng, piano. Coaches: Jane Loschen and Betty Woodyard.
Sonata in G major — Antonio Lotti (1667 – 1740)
First Prize in Junior Division
Clayton Haslop, CD, violin; Anton Boviard, cello; Jon Sutherland, piano. Coach: Mrs. Sybil Maxwell.
Trio No. 2 in E-flat major, K498 — Wolfgang Amadeus Mozart (1756 – 1791)
First Prizes in Senior Division:
Marvin Branson, Robert Stromquist, George Young, Robert Knable, saxophones. Coach: Mr. Harvey Pittel.
Quatuor pour Saxophones — Jean Absil (1893 – 1974)
James Stark, violin; Marywayne Bush, viola; Nancy Cousins, cello. Coach: Mr. Albert Gillis.
Trio — Igor Stravinsky (1882 – 1971)
Paul Krausse, violin; Hugh MacKenzie, cello; Patricia Dobiesz, piano. Coach: Joanna Hodges
Trio in D major, Op. 70 No. 1, “Ghost” — Ludwig van Beethoven (1770 – 1827)
Dominick Fera, clarinet; Marie Manahan Fera, cello; Saralee Halprin, piano
Seven variations on the duet, “Bei Männern, welche Liebe fühlen” from Mozart’s opera, “The Magic Flute,” Op. 158, for cello and piano — Ludwig van Beethoven (1770 – 1827)
Trio in B-flat major, Op. 11 — Ludwig van Beethoven (1770 – 1827)
Sonata in E-flat major, Op. 120 No. 2 for clarinet and piano — Johannes Brahms (1833 – 1897)
Trio in A minor, Op. 114 — Johannes Brahms
June 21, 1970 — Shirley Marcus Ensemble
Ruth Adams, viols; Shirley Marcus, recorders, rebec, viol, rauschpfeife, krummhorn; William Rutherford, organ, harpsichord, Patricia Davenport Wood, recorders, psaltery, viol; Kathleen Terbeek, soprano, harpsichord; Dale Terbeek, countertenor
Istampita Ghaetta — viol, recorder, rauschpfeife, organ, percussion — Anon. (13th century)
Jesus, for thy mercy (carol) — viol, krummhorn, psaltery, and organ — Anon. (14th century)
Two pieces from the Buxheim Organbook — organ — Anon. (ca. 1470)
Italian Dances — rebec, viol, and percussion — Anon. (14th century)
- Lamento di Tristan
- La Rotte, La Manfredina
- Saltarello
Selection from Carmina Germanica et Gallica — viols and recorders — Anon. (16th century)
Quel fronte signorille in paradiso — viols — Guillaume Dufay (1400 – 1474)
Ricercar del Duodecimo Tuono — recorders and organ — Andrea Gabrielli (ca. 1520 – 1586)
Fantasy — viols — Robert Cornysh (1465 – 1523)
In Nomine — viols and organ — John Baldwin ( ? – 1619)
Aria — recorder and viols — Thomas Morley ( 1557- 1603)
Two Tientos — viols, krummhorn, and organ — Miguel de Fuenllana (ca. 1554)
Two Villancicos — recorders, viols, and percussion — Anon. (16th century)
Trio Sonata in G major — viola da gamba, organ, and continuo (gamba, harpsichord) — Georg Philipp Telemann (1681 – 1767)
Aria, Was betrübst du dich — soprano, countertenor, recorders, and continuo (organ, viola da gamba) — George Friedrich Handel (1685 – 1759)
Two Arias — Johann Sebastian Bach (1685 – 1750)
- Bereite dich, Zion from the Christmas Oratorio BWV248 — soprano, violin, and continuo (organ, viola da gamba)
- Komm, leite mich from Cantata BWV175 — countertenor, 3 recorders, and continuo (harpsichord, viola da gamba)
Two chorale settings — voices, recorders, and continuo (organ, viola da gamba) — Johann Hermann Schein (1586 – 1630)
- Christ lag in Todesbanden
- Gelobet seist du, Jesu Christ